Tadao Ando: The Self-Made ArchitectTadao Ando: Arkitek Otodidak
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#1
Tadao Ando's story began in a working-class district of Osaka, Japan.
Kisah Tadao Ando bermula di sebuah daerah kelas pekerja di Osaka, Jepun.
#2
He was raised primarily by his grandmother, instilling in him a strong sense of independence.
Dia dibesarkan terutamanya oleh neneknya, menyemai dalam dirinya rasa berdikari yang kuat.
#3
Tadao never attended architecture school; he was entirely self-taught.
Tadao Ando tidak pernah menghadiri sekolah seni bina; dia belajar sendiri sepenuhnya.
#4
As a teenager, he even worked as a truck driver, navigating the bustling city streets.
Semasa remaja, beliau pernah bekerja sebagai pemandu lori, meredah jalan-jalan bandar yang sibuk.
#5
He also became a professional boxer, learning discipline and resilience in the ring.
Beliau juga menjadi peninju profesional, mempelajari disiplin dan ketabahan di dalam gelanggang.
#6
Tadao discovered the world of architecture by chance in a secondhand bookshop.
Tadao Ando menemui dunia seni bina secara kebetulan di sebuah kedai buku terpakai.
#7
He was so fascinated by the work of Le Corbusier that it changed his life.
Beliau begitu terpukau dengan karya Le Corbusier sehinggakan ia mengubah hidupnya.
#8
He started traveling across Europe, Africa, and the United States to see famous buildings.
Dia mula mengembara ke seluruh Eropah, Afrika, dan Amerika Syarikat untuk melihat bangunan-bangunan terkenal.
#9
He learned by observing, sketching, and experiencing architecture firsthand.
Beliau belajar dengan memerhati, melakar, dan merasai sendiri seni bina.
#10
In this way, Tadao became a self-educated architect, driven by his own curiosity.
Dengan cara ini, Tadao menjadi seorang arkitek yang belajar sendiri, didorong oleh rasa ingin tahunya sendiri.
#11
Without a formal architecture degree, no established firm would hire Tadao.
Tanpa ijazah seni bina formal, tiada firma terkemuka yang mahu menggaji Tadao.
#12
So, in 1969, he opened his own architecture studio in Osaka.
Jadi, pada tahun 1969, dia membuka studio seni binanya sendiri di Osaka.
#13
The architecture establishment looked down on him, seeing him as an outsider.
Golongan atasan dalam bidang seni bina memandang rendah kepadanya, menganggapnya sebagai orang luar.
#14
They saw him as just a former boxer with no formal training.
Mereka melihatnya sebagai bekas peninju tanpa latihan formal sahaja.
#15
He had to prove them all wrong, demonstrating his talent and vision.
Beliau harus membuktikan bahawa mereka semua salah, dengan menunjukkan bakat dan visi beliau.